MSc engineer
PIOTR MACKIEWICZ
Author of sculpture figurative leaning oneself on lively study models.
Vertical introduced sculpture to four dimensions- time and space. It changes proportions
of models, it shortens or it lengthens face and forms above measure heightening
through this theirs expression. Strongly diverse invoice, forms organize whole
surrounding space eats , in which they are stationary and anonymous .
Problem of relation fascinates creator form, forms to surrounding space. World
in which spends and it crystallizes him art appears him organic connected as
drama of space with man. Sculptures of Author penetrate into this space ,
organizing and co- creating own space- autonomic. Work this by value spatial -
structural exposed emotional elements contain strongly keeping one's magic and
metaphysical meaning. Sculptures are full it aims contents, Artist secretive to
appearance , irrational paintings of soul of man , his lonelinesses,
separations and individualities.
In building of body it pierces firmness, exact qualification of function
of every anatomical element, consciousness of expressed aim. Clearness of line
does not stifle superfluous ornamentation of details . It is here seriousness ,
reliability , consideration. In this conception place found itself onto
spiritual content works , faces this mirror of internal impressions. This is
construction and painting of introduced face- real and not ; not idealized MASK
. To visible ideas of real beauty and not ; not classic, idealized. Work is not
only in composition overcome of clods and planes, but in leaning's composition
on real and objective dimensions of man. In plastic evolution author aims to
organic building, to rhythm, symmetry and harmony. Mum to deal with original
remittance for future- feeling of aestheticses and beauty of human body.
modelling causes game of lights and shadows, engender painter effects as well
as endeavour to performance of human figure in her on surface of sculpture
organic building. Figures be characterize by soft modelling, large slenderness
of form, sure refinement of gesture. Static of form is distinguished modelling
of carrying part (legs, neck) and weighing(trunk, head) in building of human body.
Playing effects overweigh oneself on surface fold of garments , dress. Forms
this present KOUROS and KORE, individualize guilds of human face. Artist
composes human forms so, to looking spectator on he could not feel inherent
potential of movement in them, internal, leaning modelling on acquaintance of
anatomy of human bodies and observation of man in movement, , games meats in
moment of largest tension. Epidermis no state of final border of effort
composition, every smallest internal tension muscular will find one's
equivalent on surface of body. This emphasis is into discreet way, no throw
oneself in eyes, sometimes perceptible only at touch of statue hand.
Artist, in present of unusual achievements day of techniques and
fascination perfection of machine, he started be to interest human body, into
side most undetermined and faint his feelings. Through imprint of human body it
tries to strenghten faint moment lives, his paradoxes and absurdity. Feeling
which was registered it is fold and it materialise from identification
directly. Among all symptoms of impermanence of human body it is sensitive and
only source every joy , pain and truth. Author from some years it executes
forms of school-leaving's size from plaster and bronze. It is this sculptor
equivalent Neosurrealise of painting. Casting sculpture from lively model
Author does not lie down pressure concrete reality onto physical side of form,
her, but it tries to free idea, idea , inherent conception in model.
For artist they are this primitive instincts of man- thirst and
imagination - notion of creative freedom frees theirs part and function in life
of artist. Thirst permits creator beyond settle onto exceed , normalise of
endeavours and actions , and so it is this what of him will express above mediocrity
of general existence. It permits to measure man also range of own possibility
and omnipotence of endeavours and personal thirsts permits get to know them
unlimited of states materialise (hypnotic) . Imagination of man is only and
unique, it can nobody and anything change this, and how this will become used
it depends only from creative skill of artist. Observation of permits to
enlarge imaginations and one should to use full handfuls from this , without
noes' material limitations whether ideological.
Work this they make up quintessence of ideals: moderation, proportion
and equilibrium in form, humanism in breath of life and to feel .It is this
interesting interpretation of study from of nature . Sculptures have dangerous
look and attentive, word of mouths between smile and wrath, wrinkled in tension
of forehead; dynamism feels itself in forms, through contrast of one supported
of body half on most surely standing leg on the ground , when second half puts
out to front, in movement, sketched in arrangement of heads and hands .Statues
betray takings of different masterpieces into gentle modelling, defining beauty
model , in game of light on smooth surface of material. Yet endeavour to
devotion of detail in loosely connected forms, charm of pose, in free movement
of shoulders, it runes away to feel from word of strength and carnal solidity.
IMPORTANT COPYRIGHT NOTICE: All works are copyrighted
by the artist.
Images may NOT be used or reproduced without written permission from the
artist.
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MACKIEWICZ.
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